WORKS
Chronological and by instrumentation
Scores that were published during O’Neill’s lifetime are now out of copyright and can be downloaded here for free.
For new editions created from manuscripts, please click here for RCM Editions.
Downloadable scores are marked in bold, italics and underlined.
Please click here for a list of manuscripts held in the collections of the Royal College of Music, which include many unpublished orchestral scores as well as further songs, chamber music and piano music by Norman O’Neill. Please see the Manuscript numbers MS 4351–MS 4 433 and MSS 7334–74.
They can be made available to scholars and other interested parties by the RCM Library (create link).
Solo Songs
Drei Lieder, 1896 (Please see RCM Editions)
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Parted, medium high voice, Words by Frank B. O’Neill, 1897 Weekes & Co
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A Norse Lullaby, high voice, Words by Eugene Field, 1898 Boosey & Co.
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The Light of Love, Words by Hartley Coleridge, 1899 Boosey & Co.
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Two Songs, 1899 Forsyth
i. Roses in the Garden
ii. A Prayer
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The Indian Serenade, Words by Shelly, 1900
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Madeleine's Song, from 'After All', 1902 Boosey & Hawkes
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Two Songs, 1904 Schott (also orchestrated)
i. When You Come
ii. A Modern Greek Song
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Five Rondels for Medium Voice Op.18,1907 Avison Ed.
i. Rondeau (W.E.Henley)
ii. The Lilacs are in Bloom (George Moore)
iii.The Lovely Isle (anon)
iv. A Roundel of Rest (Arthur Symons)
v. With Strawberries (W.E.Henley)
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Two French Songs, medium voice, Musette traditional French words, English words by Harry Graham; Avison Ed. agents Breitkopf and Haertel, 1907
i. Un grand sommeil Op 26 Nr. 1 (Verlaine)
ii. Ballade Francaise Op 26 Nr. 2 (Paul Fort)
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Love In The Cherry Tree (Gertrude van Ruith) 1909 B. Schott’s Söhne
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Where Be You Going, You Devon Maid Op.35 No.2 , medium voice, Words by John Keats; 1909 B. Schott’s Söhne Mayence
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All For Me, 1911 Boosey & Hawkes
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Håkon's Lullaby, from 'The Pretenders', 1913 Elkin
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Eagles of England, words by P. Bewshar (Dedicated to RAF), 1918 Elkin
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The Warrior Love, words by Sir William Watson, 1919 Schott & Co.
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Six Songs from 'Through the Green Door', 1920 Anglo-French Music Co. Ltd
i. Through The Green Door
ii. The Cat’s Song
iii. Molly’s Song
iv. Silvery Dreams
v. Rikk’s Song
vi. The Princess’s Song
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The Song of Lucius, medium voice, Words from Shakespeare’s ‘Lucrece’; 1920 Anglo-French Music Co. Ltd
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Yo, ho, ho and a Bottle of Rum, sung in 'Ambrose Applejohn's Adventure',1921 Keith Prowse
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Tell Me Where is Fancy Bred, medium voice (Shakespeare), Composed for David Belasco’s Production of “The Merchant of Venice”
1922, H.W.Gray co., sole agents for Novello & Company, Ltd: London
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It Was A Lover and His Lass, medium high voice, Shakespeare; 1922 The H. W Gray Co.
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Musette, from 'A Roof and Four Walls', 1923 J.B.Cramer
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On a Grey Day, medium voice, (E. Temple Thurston), 1923 J.B.Cramer
Sung by Miss Phyllis Neilson Terry in “A Roof and Four Walls” at the Apollo Theatre, London
Songs from the Fairy Play words by Maud V. Vernon; copyright 1920 Anglo-French Music
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Blossom Songs, From the Japanese, accompaniment for piano and string quartet, 1924 J.B.Cramer
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Birds - A Song Cycle, medium high voice, Words by E.Temple Thurston
J.B.Cramer & Co, London, 1924
i. Cuckoo
ii. Wren
iii. Wagtail
iv. Night-Jar
v. Woodpecker
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The Golden Hour of Noon, Words by Ashley Dukes, from 'the Man with a Load of Mischief', copyright 1925 J.B.Cramer
I have a flaunting air , Words by Ashley Dukes, 1925 J.B.Cramer & Co, London
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Three Songs from Kismet, 1925 Keith Prowse
i. Lo! Still the stars
ii. Lute Song
iii. Marsinah's Song
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The Moon Is Up words by Alfred Noyes; 1925 J.B. Cramer & Co. Ltd.
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Echoes of Erin, Twelve Irish Songs. Words by Sir Harold Boulton. Irish translation by Dr Douglas Hyde, 1926 Boosey & Hawkes
i. The Piping on The Hill
ii. Biddy, I'm not Jesting
iii. When Fergus smote the Shield
iv. Lullaby, Lilybud
v. Conn and the Merrow Maid
vi. What Anybody Knows
vii. The Pretty Girl Milking Her Cow
viii. The Yellow Boreen
ix. Eileen
x. I Know an Isle
xi. Barney the Piper
xii. Exile's Song
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Jewels, 1930 W. Rogers
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May Lilies, 1931 J.B. Cramer & Co, Ltd.
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When May Walks By , words by Betty Haddon; 1931 J.B. Cramer & Co, Ltd.
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Home of Mine, Words by Elizabeth Haddon; 1934 J.B. Cramer & Co, Ltd.
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Choral Songs
Mary Rose, female choir, 1920 Schott & Co. London
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Come Away Death, SATB Chorus, Shakespeare, 1922 The H.W Gray & Co
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Chamber Music
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Theme and Variations on 'Pretty Polly Oliver' for piano, violin and cello, 1895 (Please see RCM Editions)
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Cello and Piano Sonata, 1896
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Scherzo and Romance for piano and violin, 1897
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Piano Trio in A minor for piano, violin and cello, 1900 (Please see RCM Editions)
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Piano Quintet for strings and piano, 1902-3 (Please see RCM Editions)
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Trio in F, Op.32 for violin, cello and piano, 1909 B. Schott’s Söhne
Download parts: [Piano] [Violin] [Cello]
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Berceuse for violin and piano, 1909 B. Schott’s Söhne
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String Quartet in C major, 1909 (Please see RCM Editions)
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Scherzo for string quartet
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Two Pieces for violin and piano, 1921 B. Schott’s Söhne
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Running Water for piano quintet, also for piano, 1922
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Biddy I'm not Jesting for quintet, 1922
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Valse Gracieuse for quintet, 1922
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Soliloquy for double bass and piano, 1922
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Rondo for violin and piano, arr. Norman O’Neill; 1931 B. Schott’s Söhne
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Deux Gavottes for violin and piano, arr. by Norman O’Neill; 1931 B. Schott’s Söhne Mainz
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Solo Piano
Four Compositions, 1898 Forsyth Brothers Ltd.
i. Allegro grazioso
ii. Allegro agitato
iv. Allegro scherzando
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Variations and Fugue, 1898
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Three Piano Pieces, 1904 Schott
i. Caprice
ii. Intermezzo
iii. Burlesque
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Three Pieces for piano, 1906 Schott
i. Berceuse
ii. Valse
iii. Gavotte
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Two Easy Pieces, 1908 Schott
i. Romance
ii. Gigue
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Four Dances from 'The Blue Bird', 1910 Elkin & Co.
i. Dance of the Mist Maids
ii. Dance of Fire and Water
iii. Dance of the Stars
iv. Dance of the Hours
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A Memory, 1911 Elkin & Co.
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Four Songs Without Words, 1918 Anglo-French Music Co.
i. Dance
ii. Folk Song
iii. Lullaby
iv. Sailors' Song
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Carillon, 1919 International Music Company
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Three Old English Pieces, 1919 Schott
i. Real Morris
ii. Rigadoon
iii. Elizabethan March
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In The Branches, 1919 The Anglo-French Music Co.
i. Build a Nest
ii. Rain On The Roof
iii. House Warming
iv. Fledgelings
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Four Easy Pieces, 1921 The Anglo-French Music Co.
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Two Entr'actes, 1922 Schott
i. Running Water (also for quintet)
ii. Ragtime (a cockney tune)
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Four Little Dances, 1923 The Anglo French Music Co.
i. Gopak
ii. Habanera
iii. Valse
iv. Ragtime
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A Landscape,1924 Edward Arnold & Co.
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Hornpipe, 1924 Bosworth & Co, Ltd.
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Four Tunes for The Sea, 1926 International Music Company
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Suite for Piano,1927 Keith Prowse & Co. Ltd
i. Theme
ii. Romance
iii. Intermezzo
iv. Ragtime
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Four Syncopated Pieces, 1928 J. Williams
Arab Dance published separately, 1928
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Three Sketches for piano, 1928 W. Rogers
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Four Country Pictures, 1929 Oxford University Press
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The King's House . Suite, 1930 Leonard Gould and Bolttler
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Romance (manuscript)
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Piano Duets
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Variations and Fugue on an Irish Theme for Two Pianos, 1905 B. Schott’s Söhne
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Toccata Study Op. 24 No.2, 1911 Elkin & Co.
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All Fours, Oxford University Press 1930
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Three Pianoforte Duets, 1933 Oxford University Press
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Orchestral Works
Suite for Strings, 1893-7
Overture: In Autumn, 1901
Overture: Hamlet, 1903-4
Dirge from Hamlet, 1904
Miniatures for small orchestra, 1904
Overture: In Springtime, 1905-6
Miniatures (Six pieces for full orchestra), 1908
Theme and Variations on an Irish Air (orchestral version of op.17 for two pianos), 1910
A Scotch Rhapsody for full orchestra, 1911
Introduction, Mazurka and Finale (from A Forest Idyll), 1913
Overture: Humoresque, 1913
Hornpipe (Published for piano and for full and small orchestra), 1916 Bosworth
Irish Jig for chamber orchestra, 1923
Punch and Judy (Published for piano and for full and small orchestra), 1924 Ascherberg Hopwood and Crew
Three Exotic Dances for full orchestra (from Kismet), 1925
Fairy-Tale Suite (From Through the Green Door), 1925
Alice in Wonderland, 1926
Festal Prelude (Published for piano and for full and small orchestra), 1927 Bosworth
Two Shakespearean Sketches (Published for full and small orchestra)
1928 Cramer
i.Nocturne
ii.Masquerade
Pastorale for strings, 1934
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Chorus and Orchestra
Waldemar (Fantasy for solo voices, chorus and orchestra), 1905
Eight national songs arranged for unison, chorus and orchestra, 1909
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Solo voice and orchestra
Death on the Hills (Ballad for contralto and orchestra), 1904
La Belle Dame sans Merci for baritone and full orchestra, 1908
The Farmer and the Fairies, 1930
Words by Herbert Asquith. A recitation with orchestral or piano accompaniment
Noel: a carol for SATB and bells ad lib, Words by Hilaire Belloc, 1914 Stainer and Bell
Lullaby: two-part song, 1918 Edward Arnold
Come Away Death: part song (used in Belasco’s The Merchant of Venice), 1922 H.W.Gray
The Moon is Up: unison song, Words by Alfred Noyes, 1925 Cramer
The West Countree: unison song, Words by Sir Harold Boulton, 1927 Cramer
Come, Tuneful Friends, 1928 Cramer
Four-part song in the Victorian manner, Words by Sir Harold Boulton
Mount and Away!, Two-part song, Words by Sir Harold Boulton, 1928 J. Williams
The Music of the Waves for mixed-voice choir. SATB,
Words by Sir Harold Boulton, 1933 J. Williams
Dirge for the Year: part song for women’s voices and stringed orchestra, Words by Shelley. 1933
Moon Roses, A Scottish song-scena for two voices, harp and string quartet, 1933
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Incidental Music to the Following Plays (among others)
After All (Madelaine’s Song published), 1901-2 Boosey & Hawkes
The Exile, 1902
Hamlet, 1904
A Lonely Queen, 1906
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The Spell (A Tragedy of Truth), 1907
The Bride of Lammermoor (The Last Heir), 1908
The World and his Wife, 1909
King Lear, 1909
The Blue Bird, 1909 Boosey & Hawkes
Song of Mothers published; Dance of the Joys, Four Dances, The Blue Bird Waltz, and a selection published for piano; Four Dances and The Blue Bird Waltz published for orchestra. Dances arr. For piano and strings by A. Reynolds (published 1941)
Priscilla Runs Away, 1910 Chappell
Waltz: Priscilla, published for piano
All that Matters, 1911
The Gods of the Mountain, 1911 Schott
Two dances: Dance of Wine and Sacrificial Dance, published for piano
The Golden Doom, 1912
The Pretenders (Håkon’s Lullaby published), 1913 Elkin
The Holy City, 1914
Paddly Pools, 1916
Freedom, 1918
Through the Green Door, 1918-19 Anglo-French
Reparation (Reparation Waltz, published for piano; Russian Gipsy Songs published), 1919 Ascherberg Hopwood and Crew
Julius Caesar (Song of Lucius published), 1920 Anglo-French
Mary Rose (Preludes and interludes and the Call published for piano, and Prelude and Call for orchestra), 1920 Schott
Macbeth, 1920
The Knave of Diamonds, (Suite published for piano), 1921 Keith Prowse
The Love Thief, 1921
Quality Street (Eight arrangements of dances published for piano), 1921 Schott
The Way of an Eagle, 1922
The Merchant of Venice (three songs published), 1922 H.W.Gray
Stigmata, 1922
Via Crucis, 1923
Success, 1923
The Prisoner of Zenda (Incidental music published for piano and Intermezzo Flavia for small orchestra), 1923 Cramer
A Kiss of Cinderella (Incidental music published for piano), 1924 Cramer
Kismet (three songs published and three dances published for piano; Egytian Dance, Marsinah’s Dance, Indian Dance), 1925 Keith Prowse
The Man with a Load of Mischief (two songs published), 1925 Cramer
Cristilinda, 1925
The White Chateau, 1927
Mr. Pickwick, 1928
The Lady with the Lamp, 1929
The Ivory Door, 1929
The Shadow of the East, 1929
Measure for Measure, 1929
To Meet the King!, 1930
Little Catherine, 1931
Man Overboard, 1932
Francis Thompson, 1933
This Side Idolatry, 1933
Acropolis, 1933
Henry V, 1933
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Ballets
A Foresty Idyll, 1913
Before Dawn (Interlude published for piano and for full and small orchestra), 1917 Boosey & Hawkes
The Snow Queen, 1921
Punch and Judy (from The Punch Bowl, Published for piano and for full and small orchestra), 1924 Ascherberg Hopwood and Crew
Alice in Wonderland (from RSVP), published for piano, 1926 Francis, Day and Hunter
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Arrangements
Ten 18th century pieces by J.H. Fiocco, 1906-31 arranged by Norman O’Neill and Arthur Bent:
i. Arioso
ii. La Légère
iii. Allegro
iv. Allemande
v. L’Anglaise
vi. Menuetto
vii. La Fringante
viii. Rondo
ix. Deux Gavottes
x. L’Inconstante
Three-Fours, 1920
Suite for piano by S. Coleridge-Taylor
Orchestrated by Norman O’Neill as Valse suite.
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